The US-Mexico Borderlands in Contemporary Horror, the latest book of the Edinburgh University Press 21st Century Horror series, evaluates the real and supernatural horrors of the United States and Mexican borderlands from an array of media from film to television to comic books to video games.

Since 1848, when the earliest form of the United States and Mexican border was developed, a unique culture was born, creating its own stories and horrors. Stories of mythical figures like La Llorona and E...

1,000 Women in Horror, the newest Shudder documentary, highlights the impact of women in horror cinema.

Based on the book of the same title by author Alexandra Heller-Nicholas, 1,000 Women in Horror gives a unique perspective on women in horror, intertwining groundbreaking filmmakers to modern day indie filmmakers to the impact of women on-screen. They intertwine the beloved classics and lesser-known films, giving horror fans an eye-opening insight of just how much women influence horror and ho...

No me sigas (Don’t Follow Me) is a Mexican supernatural horror film that’s broken new ground for Blumhouse, as its first produced original Spanish language film.
Co-directed by siblings Ximena Garcia Lecuona and Eduardo Lecuona, No me sigas is the directorial debut for both siblings.
The film follows aspiring influencer Carla (Karla Coronado) who desperately wants her videos of ghost and supernatural events to go viral. After moving into an infamously haunted apartment building, Carla initially...

After the success of their first book, Master of Make-Up Effects, Academy Award-winning special effects creator Howard Berger and journalist Marshall Julius have written a second book digging deeper into the love and attachment to monsters, Making Monsters.
While Master of Make-Up Effects focuses on interviews on the history and pioneers of the impact and art of special effects, Making Monsters dives deeper into the monster world with a larger array of interviews of multigenerational monster kid...